ARTOGETHER


THIS IS A COLLECTION OF ART THAT BELONGS TOGETHER.
THROUGH AND FOR INSPIRATION AND PRACTICE.


MEMBERS

Paul Klee - Memory of a Bird (1932)

Paul Klee - Memory of a Bird (1932)

(Source: powerful-art)

carlotta-m:

Lewis Whyn

Tim Taylor - Domestic Erosion, 2003

Tim Taylor - Domestic Erosion, 2003

Tim Taylor - Domestic Erosion, 2003

Tim Taylor - Domestic Erosion, 2003

Tim Taylor - Domestic Erosion, 2003

Tim Taylor - Domestic Erosion, 2003

malingabriella:

Malin Gabriella Nordin, 2014
Studio visit by photographer Erik Wåhlström
Erik’s tumblr: http://blog.erikwahlstrom.se/

malingabriella:

Malin Gabriella Nordin, 2014

Studio visit by photographer Erik Wåhlström

Erik’s tumblr: http://blog.erikwahlstrom.se/

eastasianstudiestumbl:

I just happened across this series entitled After Master by Yin Xin. By far my faourite is the Birth of Venus. Yin has taken classic master paintings and replaced their Western subjects with Chinese ones. LOVES IT. 

  • Top is Birth of Venus by Boticelli.
  • Dejeuner Sur L’Herbe by Manet.
  • Venus and the Lute Player by Titian
  • Mona Lisa by Da Vinci

broadbandchampion21:

Alexander McQueen Fall/Winter 2002 Campaign

This is, by far, one of the cleverest things I’ve seen - Damien Hirst being referenced in this dark, bizarre campaign with a really cool twist and high drama. This is exactly the sort of thing that I find so interesting about fashion as an art form and a cultural statement. Bravo, floating Alexander McQueen.

nyctaeus:

Damien Hirst, ‘The Acquired Inability to Escape’, 1991, Glass, steel, silicone rubber, Formica, fibreboard, chair, ashtray, lighter and cigarettes.
"The Acquired Inability to Escape is a sculptural installation comprising an office table and chair enclosed in a vitrine or cell. Supported by heavy steel frames held in place by large bolts, the cell’s thick glass walls invite the viewer’s gaze while emphasising the sealed condition of the space inside. The cell has two chambers, divided by a wall of glass, which is itself divided into two sections separated by a 45mm gap that allows the passage of air. The larger chamber is just big enough to contain the long rectangular desk and chair; the smaller is narrow and empty. Lying on the white laminate surface of the table, a packet of Silk Cut cigarettes, a white Bic lighter, and a glass ashtray containing cigarette butts and ash suggest the presence of an invisible and anonymous occupant. In contradiction to this, the black office chair, of the sort that rotates and is height adjustable, is pulled up close to the table in order to fit into the claustrophobic space, leaving no room at all for a human body.”

nyctaeus:

Damien Hirst, ‘The Acquired Inability to Escape’, 1991, Glass, steel, silicone rubber, Formica, fibreboard, chair, ashtray, lighter and cigarettes.

"The Acquired Inability to Escape is a sculptural installation comprising an office table and chair enclosed in a vitrine or cell. Supported by heavy steel frames held in place by large bolts, the cell’s thick glass walls invite the viewer’s gaze while emphasising the sealed condition of the space inside. The cell has two chambers, divided by a wall of glass, which is itself divided into two sections separated by a 45mm gap that allows the passage of air. The larger chamber is just big enough to contain the long rectangular desk and chair; the smaller is narrow and empty. Lying on the white laminate surface of the table, a packet of Silk Cut cigarettes, a white Bic lighter, and a glass ashtray containing cigarette butts and ash suggest the presence of an invisible and anonymous occupant. In contradiction to this, the black office chair, of the sort that rotates and is height adjustable, is pulled up close to the table in order to fit into the claustrophobic space, leaving no room at all for a human body.”

thedemocraticcircus:

Damien Hirst with dead head

thedemocraticcircus:

Damien Hirst with dead head